Final assembly of a Davidov model cello

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How to complete the assembly of the cello

Remove the mold and clean up the interior of the corpus.

In my case, since the mold is collapsible and comes apart in several pieces, it is pretty convenient to get the mold out. I use a small electric screwdriver to remove eight drywall screws, and back off twelve more, and the thing just comes right out…no fuss. The twelve that were just backed out are the ones securing the corner blocks and neck and end blocks in the mold. So, here is the corpus, fresh off the mold, with all the blocks still square and rough, and the linings only roughly trimmed, not scraped.

Rough cello interior
Cello interior immediately after removing the mold. All the blocks are still rough and square. Linings still need final scraping.
Rough cello end block
This is the end block. You can see the rounded part that I shaped before installing the front plate, so that I would not risk damaging the front plate while shaping it. The rest of the block was out of reach in the mold. Now it is time to shape all the blocks.
Rough cello corner block and linings.
Here’s what the corner blocks and linings looked like. The linings had been trimmed with a knife, but not scraped.

So– the next hour or so was spent chiseling, planing and scraping all those blocks to their final shape, and scraping the linings as smooth as I could get them. Here is what it looked like afterward:

Cleaned cello interior, just before closing.
I tend to make my neck and end blocks a little oversize. I have seen blocks split and break, because they were too small…it seems an easy way to insure against that sort of thing. All the blocks are now the size and shape I want them, and scraped smooth.

Install the Back Plate

So, the next step is to get the back plate in place. I aligned it carefully, checking all the margins to see that the overhang was fairly even all around, then clamped it in place, dry, using spool clamps. After I was satisfied that the overhangs were correct AND the elevation of the fingerboard was correct (an easy thing to mess up, as the corpus is quite floppy at this point), then I clamped everything solidly, and began removing a few clamps at a time, and inserting hot hide glue, using a palette knife. I washed off the excess glue with hot water, and re-tightened all the clamps.

Here the cello is in all its spool clamps, with one bar clamp to secure the button to the heel of the neck.

Callo back installed with hot hide glue and spool clamps.
The cello back is fully installed, with hot hide glue and spool clamps. The bar clamp secures the back button to the neck heel.
Cello glue drying by woodstove.
The house was pretty cold this morning, so I decided that the cello would dry faster in a warm room. Close to the woodstove (but not too close) is the best place I could find.

Final edge-work, scraping, preparation for varnish

After the glue was thoroughly dry, I removed all the clamps and began trimming edges, and perfecting the scroll and heel. The heel was almost a half inch high (which I expected…we leave extra, so that the heel and button are trimmed and shaped together, and match perfectly when we are done.) The scroll was still quite rough. I spent the rest of the day and late into the evening, scraping and planing, and trying to get the cello ready for finishing. Finally ran out of steam about nine PM, but it is nearly complete. Here is what it looks like tonight:

Cello in the white from front side.
Cello in the white, from the front. A little more edge-work to do, tomorrow morning, and I can begin the finish work.
Cello back in the white.
And there is that one-piece back…it has come a long way since that big slab we started with, hasn’t it? I still have some final smoothing of edges, etc. to do, then it is time for varnish.

Actually, I typically use a very weak water-base stain first, which will make the spruce a tan color, instead of cream-colored. Then I will sand it lightly with fine micromesh, seal it, and start applying varnish. (On the home-stretch, now!)

For those wondering about the pegs, saddle, nut, etc.; I wait until the varnish is complete before adding those fittings.

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