Purfling and Neck-set

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Purfling and Neck-set

Purfling the Front plate

It is a lot easier to purfle the front plate before the neck is installed. But I have found that I can get better results purfling after installing the plates, than before, though I was taught to purfle the plates very early, before even completing the arching. But what consistently resulted was that I could not reliably produce even-looking edge-overhangs when I purfled before plate installation.

So…beginning purfling, here:

I have scribed the lines, and am beginning to incise them.
I have scribed in the lines, using a purfling-marker, and am beginning to incise them.


Removing the waste wood fromn the slot.
Removing the waste wood from the slot, using a “purfling pick.”


Slot beginning to develop.
The slot is beginning to develop. I use the piece of purfling to check the fit of the slot.


Purfling slot is complete: ready for purfling.
The purfling slot is complete: ready for purfling. A knife, two purfling picks and the purfling marker are in view.


Purfling installed, but not trimmed: channel is next.
The purfling is installed, but not trimmed: the channel is next. I used the roller to press the purfling deep into the slot.


Neck Setting

I did not take as many photos as would have been ideal. I was concentrating on the work, and not thinking about pictures. Sorry.

The heel-end of the neck had to be as close to exactly the final shape as possible before I laid out the neck mortise. As it turned out, I had set the taper incorrectly, forgetting that I had deliberately left the heel long, so I had to re-shape the neck-heel. Fortunately, I caught it early, and was able to make the correction.


Neck ready to install.


When setting the neck, I make no further changes to the neck-heel, but rather, I carefully shape the mortise to receive the neck-heel.

Five factors have to come together for a good neck-set:

  • The angle of the fingerboard to the front,
  • The height of the fingerboard above the front plate edge,
  • The transverse angle of the neck,
  • The transverse “roll angle”, and
  • The distance from the upper end of the fingerboard to the upper edge of the front plate. (130 mm)

All five really must be perfect. Sometimes I can get it quite quickly. This was NOT one of those times. (sigh…)

But the end result was quite satisfactory: all five were correct, and the fit was tight. I slathered in the hot hide-glue, and rammed the neck home one last time: no clamps were needed.


Neck Set Complete.
Neck Set Complete.


Next, I will check the back-plate fit, complete the back-plate graduations, install the label, remove the mold, clean up the interior, and install the back plate. This is the “Titian” Stradivari model. I decided to include a scroll-graft and an ebony “button crown” on the “Plowden” Guarneri del Gesu model. So there will definitely be some additional steps to completion, there. I will try to remember to take more pictures.


Thanks for looking.

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